Leonardo Dicaprio starred in this film about the diamond trade in Africa and how "blood diamonds" are mined in war zones and used to finance revolutions and civil wars. This film takes place in Sierra Leone where a civil war raged from 1992-2002. Lots of gore in this film so if you get queazy at the sight of blood and gore just listen to the pretty music which is outstanding.
Jennifer Connelly plays the role of a journalist and Djimon Hounsou, the same actor who played a major role in AMISTAD, is a Mende fisherman who is kidnapped and forced to mine diamonds for a warlord. The movie was nominated for five Academy Awards but did not win: Best Actor - Leonardo DiCaprio; Best Supporting Actor - Djimon Hounsou; Best Film Editing - Steven Rosenblum; Best Sound Mixing - Andy Nelson, Anna Behlmer, Ivan Sharrock; and Best Sound Editing Lon Bender.
Listen to the music by clicking below....
James Newton Howard is an American composer who has scored over 100 films including such great movies as Pretty Woman, King Ralph, Dave, Wyatt Earp, Falling Down, Liar Liar, and the Sixth Sense among many other. These are just some of the films I have seen and really like.
Howard was nominated for an Academy award for the following scores; The Prince of Tides, The Fugitive, Junior, One Fine Day, My Best Friend's Wedding, The Village, Michael Clayton, and Defiance.
Another very beautiful version is on YouTube but cannot be embedded here, so try listening at this url: http://www.youtube.com/watch?v=blN3Ar2WJJ4.
For the film AMISTAD (1997) he set to music a poem written in 1957 by Bernard Binlin Dadié.
The song is being sung in the Mende language of Sierra Leone. The author, Bernard Binlin Dadié, wrote it in French not Mende, but for the film AMISTAD who cares? It is extraordinarily beautiful. Following is the Mende language lyrics to the song taken from a web site constructed by John Williams fan Markus Hable of Germany, entitled The JOHN WILLIAMS Collection (see his page at http://www.jw-collection.de/songs/afrika.htm). Vielen Danke Markus!
Lyrics
Dry Your Tears, Afrika
Dry Your Tears, Afrika
Your children come back to you
Out of the storms and squalls
Of fruitless journeys
---------------------------
Bee ya ma yee ah,
bee len geisia bee gammah.
Bee ya ma yee ah,
bee len geisia tee yamanga.
Baa wo, kah ung biah woie yaa.
Baa wo, kah ung biah woie yah, yah.
Oo be ya ma yee ah,
bee len geisia tee yamanga.
Mu ya mah mu yeh,
Mu ya mah mu yeh,
Mu ya mah mu yeh, Afrika.
Mu ya mah mu yeh,
Mu ya mah mu yeh,
Mu ya mah mu yeh, Afrika.
Bee ya ma yee ah,
bee len geisia tee yamanga.
Mu ya mah mu yeh,
bee len geisia bee gammah.
Oo bee ya mah yee ah
Bee len geisia tee yamanga.
Mu ya mah mu yeh,
Mu ya mah mu yeh,
Mu ya mah mu yeh, Afrika.
Mu ya mah mu yah,
Mu ya mah mu yah,
Mu ya mah mu yeh, Afrika.
Be ya mah yee ah,
bee len geisia tee yamanga.
Be ya mah yee ah,
bee len geisia bee gammah.
Mu ya mah mu yeh,
Mu ya mah mu yeh,
Mu ya mah mu yeh, Afrika.
Mu ya mah mu yeh,
Mu ya mah mu yeh,
Mu ya mah mu yeh, Afrika.
Mu ya mah mu yeh,
Mu ya mah mu yeh,
Mu ya mah mu yeh, Afrika.
The film is about a Spanish slave ship, La Amistad, carrying kidnapped Africans from West Africa to be sold as slaves in Cuba in 1839. A revolt on board ends in the death of some Spanish crew members. After sailing in circles for two months the ship was stopped by the U.S. Coast Goard off the coast of New York. An outstanding film with super actors including Sir Anthony Hopkins, Morgan Freeman, Djimon Hounsou, Matthew McConaughey, Pete Postlethwaite and Stellan Skarsgård.
A vey well-written summary is at the National Archives web site - because the film is based upon a true event - go here for lots more:
http://www.archives.gov/education/lessons/amistad/
Background
In February of 1839, Portuguese slave hunters abducted a large group of Africans from Sierra Leone and shipped them to Havana, Cuba, a center for the slave trade. This abduction violated all of the treaties then in existence. Fifty-three Africans were purchased by two Spanish planters and put aboard the Cuban schooner Amistad for shipment to a Caribbean plantation. On July 1, 1839, the Africans seized the ship, killed the captain and the cook, and ordered the planters to sail to Africa. On August 24, 1839, the Amistad was seized off Long Island, NY, by the U.S. brig Washington. The planters were freed and the Africans were imprisoned in New Haven, CT, on charges of murder. Although the murder charges were dismissed, the Africans continued to be held in confinement as the focus of the case turned to salvage claims and property rights. President Van Buren was in favor of extraditing the Africans to Cuba. However, abolitionists in the North opposed extradition and raised money to defend the Africans. Claims to the Africans by the planters, the government of Spain, and the captain of the brig led the case to trial in the Federal District Court in Connecticut. The court ruled that the case fell within Federal jurisdiction and that the claims to the Africans as property were not legitimate because they were illegally held as slaves. The case went to the Supreme Court in January 1841, and former President John Quincy Adams argued the defendants' case. Adams defended the right of the accused to fight to regain their freedom. The Supreme Court decided in favor of the Africans, and 35 of them were returned to their homeland. The others died at sea or in prison while awaiting trial.
In real life the Amistad revolt led to a Supreme Court case:
THE UNITED STATES, APPELLANTS, v. THE LIBELLANTS AND CLAIMANTS OF THE SCHOONER AMISTAD, HER TACKLE, APPAREL, AND FURNITURE, TOGETHER WITH HER CARGO, AND THE AFRICANS MENTIONED AND DESCRIBED IN THE SEVERAL LIBELS AND CLAIMS, APPELLEES.
SUPREME COURT OF THE UNITED STATES
40 U.S. 518; 10 L. Ed. 826
JANUARY, 1841 Term
In the film AMISTAD Anthony Hopkins is John Quincy Adams and speaks the following words to the members of the Supreme Court - one of the most memorable and moving parts of the film....
"Your Honors, I derive much consolation from the fact that my colleague, Mr. Baldwin, here, has argued the case in so able and so complete a manner as to leave me scarcely anything to say.
However, why are we here? How is it that a simple, plain property issue should now find itself so ennobled as to be argued before the Supreme Court of the United States of America? I mean, do we fear the lower courts, which found for us easily, somehow missed the truth? Is that it? Or is it, rather, our great and consuming fear of civil war that has allowed us to heap symbolism upon a simple case that never asked for it and now would have us disregard truth, even as it stands before us, tall and proud as a mountain? The truth, in truth, has been driven from this case like a slave, flogged from court to court, wretched and destitute. And not by any great legal acumen on the part of the opposition, I might add, but through the long, powerful arm of the Executive Office.
Yea, this is no mere property case, gentlemen. I put it to you thus: This is the most important case ever to come before this court. Because what it, in fact, concerns is the very nature of man.
These are transcriptions of letters written between our Secretary of State, John Forsyth, and the Queen of Spain, Isabella the Second. Now, I ask that you accept their perusal as part of your deliberations.
Thank you, sir. [to court officer]
I would not touch on them now except to notice a curious phrase which is much repeated. The queen again and again refers to our incompetent courts. Now what, I wonder, would be more to her liking? Huh? A court that finds against the Africans? Well, I think not. And here is the fine point of it: What her majesty wants is a court that behaves just like her courts, the courts this eleven year-old child plays with in her magical kingdom called Spain, a court that will do what it is told, a court that can be toyed with like a doll, a court -- as it happens -- of which our own President, Martin Van Buren, would be most proud.
Thank you. [takes document from Baldwin]
This is a publication of the Office of the President. It's called the Executive Review, and I'm sure you all read it. At least I'm sure the President hopes you all read it. This is a recent issue, and there's an article in here written by a "keen mind of the South," who is my former Vice President, John Calhoun, perhaps -- Could it be? -- who asserts that:
"There has never existed a civilized society in which one segment did not thrive upon the labor of another. As far back as one chooses to look -- to ancient times, to biblical times -- history bears this out. In Eden, where only two were created, even there one was pronounced subordinate to the other. Slavery has always been with us and is neither sinful nor immoral. Rather, as war and antagonism are the natural states of man, so, too, slavery, as natural as it is inevitable."
Now, gentlemen, I must say I differ with the keen minds of the South, and with our president, who apparently shares their views, offering that the natural state of mankind is instead -- and I know this is a controversial idea -- is freedom. Is freedom. And the proof is the length to which a man, woman, or child will go to regain it, once taken. He will break loose his chains, He will decimate his enemies. He will try and try and try against all odds, against all prejudices, to get home.
Cinque, would you stand up, if you would, so everyone can see you. This man is black. We can all see that. But can we also see as easily that which is equally true -- that he is the only true hero in this room.
Now, if he were white, he wouldn't be standing before this court fighting for his life. If he were white and his enslavers were British, he wouldn't be able to stand, so heavy the weight of the medals and honors we would bestow upon him. Songs would be written about him. The great authors of our times would fill books about him. His story would be told and retold in our classrooms. Our children, because we would make sure of it, would know his name as well as they know Patrick Henry's.
Yet, if the South is right, what are we to do with that embarrassing, annoying document, "The Declaration of Independence?" What of its conceits? "All men...created equal," "inalienable rights," "life," "liberty," and so on and so forth?
What on earth are we to do with this?
I have a modest suggestion. [tears up a facsimile of the Declaration]
The other night I was talking with my friend, Cinque. He was over at my place, and we were out in the greenhouse together. And he was explaining to me how when a member of the Mende -- that's his people -- how when a member of the Mende encounters a situation where there appears no hope at all, he invokes his ancestors. It's a tradition. See, the Mende believe that if one can summon the spirits of one's ancestors, then they have never left, and the wisdom and strength they fathered and inspired will come to his aid.
James Madison, Alexander Hamilton, Benjamin Franklin, Thomas Jefferson, George Washington, John Adams: We've long resisted asking you for guidance. Perhaps we have feared in doing so we might acknowledge that our individuality which we so, so revere is not entirely our own. Perhaps we've feared an appeal to you might be taken for weakness. But, we've come to understand, finally, that this is not so. We understand now, we've been made to understand, and to embrace the understanding that who we are is who we were.
We desperately need your strength and wisdom to triumph over our fears, our prejudices, our-selves. Give us the courage to do what is right. And if it means civil war, then let it come. And when it does, may it be, finally, the last battle of the American Revolution.
